P.O. Box 36535

Grosse Pointe Farms, MI 48236

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©2019 by The Tuesday Musicale of Detroit.

The Tuesday Musicale of Detroit


Artists of the Year:

The Heaton-Pierce-Martin Trio

About the Artists

Violinist Eliot Heaton is the current Concertmaster of the Michigan Opera Theatre, Des Moines Metro Opera, and the Saginaw Bay Symphony. He previously served as Concertmaster of the Terre Haute Symphony and Oberlin Symphony orchestras, and has played as guest Concertmaster with the Lansing Symphony, Fort Wayne Philharmonic, and the Columbus Indiana Philharmonic.


Eliot has appeared as a soloist with a number of orchestras throughout the midwest, performing a wide variety of concertos from the nineteenth, twentieth, and twenty-first centuries. He also performs regularly on a number of chamber series, including Chamber Soloists of Detroit, the Scarab Club, New Music Detroit, the Geneva Music Festival, and Manchester Summer Chamber Music.


Eliot was a double major at Oberlin College and Conservatory, earning degrees in History and in violin performance, the latter with Professor Marilyn McDonald.  He later received his Master of Music degree from the Indiana University Jacobs School of Music, studying violin with Professor Kevork Mardirossian and completing an outside area specialty in jazz studies. When he’s not playing the violin, Eliot enjoys reading, Star Trek, and spending time with his wife and their two cats.

Dr. Nathaniel Pierce, cellist and tenor, is a highly active and multi-faceted musician. He has performed as a soloist at the Kennedy Center in Washington D.C. and has been a featured soloist with the Toledo, Dexter, Dearborn, Albany, Ann Arbor and Birmingham-Bloomfield Symphonies, as well as the University of Michigan and Indiana University Symphonies. As a recitalist, Pierce has performed his own innovative arrangements for cello and voice, and has collaborated with internationally acclaimed artists, such as Martin Katz and Amy Cheng. He is also a dedicated chamber musician, and has performed with Ayano Ninomiya, Jorja Fleezanis, David Halen, Yizhak Schotten, Steven Shipps, Martin Katz, Yehonatan Berick, among others. In recent years, Pierce has won numerous competitions; he was a prize-winner in the Matinee Musicale Competition; he won both concerto competitions at the University of Michigan and Indiana University, and in 2008 he won the Louis Potter Cello Competition. In 2014, his quartet won the prestigious Kuttner Quartet Competition at Indiana University. Pierce has dedicated many projects to perform and feature compositions by renowned University of Michigan faculty composers, William Bolcom, Kristen Kuster, Michael Daugherty, Bright Sheng, and Paul Schoenfield.

Pierce has taught classes at University of Michigan, Indiana University, University of Minnesota Duluth, and Western Illinois University. His students have continued to study cello at Michigan State, Boston University, and Easter Michigan Universities. Pierce is a founder and Artistic Director of the Anchorage Chamber Music Festival, and Education Director at the Innsbrook Institute. His summer activities have included performing and teaching at the Maui Classical Music Festival, Blue Lake Fine Arts Camp, Ann Arbor Chamber Fest, and the Oberlin Acoustics Workshop.

Pierce is a founding member of the Koinonia Piano Trio which has toured in Europe and in the United States. The trio recently was awarded the American Prize in the collegiate division, and has garnered numerous prizes, including first prize in the Briggs Chamber Music Competition, the Binkow Chamber Music Award, the EXCELerator Fellowship at the University of Michigan, and more.

Pierce appeared on stage as a member of the children’s choir of the Brandenburg State Theater in Germany, where his parents were engaged as operatic soloists. He started his cello studies with Guenther Grossman, and Anna Zinke at the Cottbus Conservatory in Germany, and has studied with Marianne Jakobovitz, Ulrike Schaeffer of the Peter Cornelius Conservatory in Mainz, Germany, and Erling Bloendal Bengtsson in Ann Arbor, Michigan. He has studied voice with Alice and John Pierce, George Shirley, Andreas Poulimenos, David Daniels and Scott Piper. He received his Bachelor of Music degree in Cello Performance at the University of Michigan under the instruction of Richard Aaron, and completed his Master of Music degree with Brandon Vamos at the Indiana University Jacobs School of Music. He completed his DMA degree under the tutelage of Anthony Elliott, cellist, Martin Katz, collaborative pianist, and Scott Piper, Professor of Voice, at the University of Michigan.

Pauline Martin's Washington debut captured the Washington Post headline, Pauline Martin's Dazzling Debut, launching an impressive career as recitalist and chamber musician. The Canadian born pianist went on to earn international recognition for her “sensitive grasp of the music, backed by rare intelligence” (Brandon Sun, Canada), with many of her performances recorded for broadcast in Canada, the U.S., Europe and China.

 Since her 1985 performance as featured Canadian soloist for the New American Chamber Orchestra’s Tribute to Glenn Gould at Orchestra Hall Detroit and subsequent last minute engagement to perform the Schumann Concerto with the nearby Windsor Symphony Orchestra, she has been presented as soloist with numerous orchestras in Canada and the U.S.

Pauline has recorded for the Naxos, Koch and CRS labels and, as founding member of the St. Clair Trio, was a recipient of the prestigious Chamber Music America/WQXR-FM award, given to outstanding new releases, for “Old Acquaintances” (Koch) and a first-round Grammy nominee for “Hobson’s Choice”(Koch).

A Steinway artist, she has been featured at such festivals as the Sarasota (Florida), Summer Serenades (Maryland), Scandinavian Winter Days (Reykjavik) and Aria International Festivals as well as Michigan’s Ann Arbor, Mackinac Island, Grove and Irving S. Gilmore Festivals. 

Pauline Martin has served on the faculties of Wayne State, Oakland and Michigan State Universities. She earned Bachelor’s and Master’s performance degrees from Indiana University, instructed by Menahem Pressler, and a doctorate in performance from the University of Michigan as a student of Theodore Lettvin, Gary Graffman and André Watts.